A sorry saga
SteveC2018-09-07T12:20:31+00:00A sorry saga
Why did they make the G so large? So they could tie the crossbar into the A, of course. Why did they flip the first A so it’s back to front? No idea.
Why did they make the G so large? So they could tie the crossbar into the A, of course. Why did they flip the first A so it’s back to front? No idea.
It’s hard to imagine how this logo came about. Perhaps it represents trees? You have to love that sun at the end. With its four sad rays.
Three pots of yoghurt float at a weird angle above the landscape. Accompanied by a cheeky gypsy wearing a skullcap. Now that’s how to sell yoghurt.
See how they’ve put the two letter Cs together, with one flipped upside down? Clever, or what? What. It’s not supposed to be an S.
Who wants boring typography on their shiny new Golf? Or even their tatty old Golf? Let’s make that car showroom name really stand out.
Let’s have a spacey font for Festival. With a fancy F. And something different for Asia. Maybe in a bigger font. And how about a yin yang symbol too.
The U lines up with the C. Reformed lines up with nothing. Shame the House is drifting away. Maybe it’s embarrassed to be in italics?
This French door manufacturer has thrown everything they can think of at their logo. Don’t look at it for too long. It will make you ill.
Why the random sizes and malformed letters? On their website, Brett proudly shows how the logo can be reassembled to make a rectangle. So there you go, there’s a logic to it after all.